Rowan Blanchard Talks Letterboxd, Child Stardom, and The Testaments Season 2

Blanchard, now 24, reflects on her career and how she's evolved since she was a teenager.
Rowan Blanchard attends the 2026 Disney Upfront at Jacob Javits Center on May 12 2026 in New York City.
Arturo Holmes/Getty Images

When she was a teenager, Rowan Blanchard was emblematic of a certain perception of Gen Z, one chronicled thoroughly in this magazine: smart, politically engaged, outspoken, active on Tumblr. Now 24 and starring in the Hulu show The Testaments—where she plays a teen girl trapped in a totalitarian religious state—Blanchard has had time to reflect on the past versions of herself, and her generation.

“There was this moment of, maybe the youth will have the answer, but it's like, well, they don't have the answers just because they're kids,” Blanchard tells Teen Vogue. “But it was an interesting [time]. I think I have a better relationship to it now. I'm able to see [that] I had a unique circumstance where I was just like any other person on Tumblr realizing themselves, but I was known, so it was getting attention.”

It was announced today that The Testaments has gotten a season-two pickup, which will see the cast return to the world of Gilead. Below, Rowan Blanchard reveals her wishes for the second season, her approach to Letterboxd, and what she's learned from being a young person in the public eye.


Teen Vogue: What did you think when you first read for The Testaments? Did you read for the role of Shunammite?

Rowan Blanchard: No, I read for a different part. Then I had three rounds of callbacks for that part. And then I didn't hear anything for a couple months, so I figured it just wasn't happening. Then, about a year ago, I was told, “You're going to meet with everyone tomorrow for a different part.” I read for Shunammite once; five days later, I was in Canada.

TV: What was the first role you went for?

RB: It was for Daisy.

TV: When you found out it was going to be Shu, what did you think about what she's like? Do you like her as character?

RB: Immediately, I was like, Oh, she's accidentally funny, which I think I was immediately drawn to—and that was fun for me.

TV: Especially in a show like this where it is so often dark, her character has some really funny lines.

RB: There's some relief, but she doesn't mean to be funny. You know what I mean? It's like she's just a candid person.

TV: She's simultaneously the funniest character and the one I feel the most sad for. She has that line about how her dad told her that she has big boobs, and she says it so casually.

RB: That was my audition scene. I didn't even, honestly… I guess when I'm in the character, everything like that feels so normal when we're filming it; it's only when I watch it back that I'm like, "What a strange line."

ISOLDE ARDIES ROWAN BLANCHARD in The Testaments
Russ Martin/Disney
TV: I know. It made me think about how young we are when we realize that our bodies can be commented on.

RB: So horrible.

TV: When did you have that realization in your life of, Oh, the things I wear or what I look like could be something people want to discuss.

RB: I was working when I went through puberty, so I was used to old producers commenting on my body when I was, like, 12. It was really... I look back at it now and it's very uncomfortable. But it was just a part of my life, I guess. I was just working for old guys.

TV: As you've become an adult, do you feel like you've had more agency in not working for old guys? Or do you feel like you're still working for old guys?

RB: Men rule the world. I think we're all working for The Man. But yeah, I'm an adult actress now. I was a child actor before, so there's a lot more voice I get now.

TV: I love your Letterboxd.

RB: Oh, thank you so much. It's the only social media that I really, really love.

TV: How do you decide what you're going to review? Are you logging every single thing you watch?

RB: I don't log television. It's a movie app to me. People log TV shows. That's confusing—it's a movie app. What was the rest of your question?

TV: How do you decide what you're going to log?

RB: I'm trying to answer this without revealing my opinions. If I love something, I review it or rate it, or I like it. If I love something, it's clear that I love it.

TV: Got it. So if you hated something, you wouldn't necessarily write a review.

RB: No, because I'm an actress and I want to be employed.

TV: I thought your Letterboxd review of Heavenly Creatures was so beautiful. You wrote about the secret language of best friends—"the whispers, the laughter, the giddiness"! That wording reminded me of some themes in The Testaments. Do you think about that with the show at all, about the close friendships that these characters have?

RB: Yeah, for sure. Also because there is a storyline in the show that doesn't involve me, but that is queer. I think I was just trying to write about how the lines get so blurred when you're experiencing growing in your body and experiencing really intense emotions that you feel in friendship, and the love that you can place towards women. Girls. Girls, at that point. But I love that movie. I took Chase [Infiniti] to see it when we were in Canada.

TV: I love that. What did she think?

RB: She loved it. It's such a good movie.

(L-R) Chase Infiniti and Lucy Halliday attend the Premiere of Hulu's "The Testaments" at Academy Museum of Motion Pictures on March 31, 2026 in Los Angeles, California.
The duo chat with Teen Vogue about friendship, periods, and the power and rage of teenage girls.
TV: In the show the girls are not allowed to be best friends, but they all are—obviously—anyway. Why do you think the idea of girls being close friends in that world can be so threatening?

RB: I think that anything in that world that gives the girls agency, in terms of having decisions, closeness—having their own decisions about their own proximity to people—is looked down upon. And I think they're afraid of alliances. My friendships, especially when I was a teenager, were how I learned about the world. So they're probably very terrified of that.

TV: In thinking about your career before The Testaments started, how did you feel about what you'd been working on? Were you doing the things you wanted to be doing before you were cast?

RB: Oh, that's an interesting question. I think that I have a complicated answer because I've been doing this since I was five. This is also a job to me. I'm not a nepo baby. This is how I pay my bills. This is how I help people in my family. So I think it's a mix. I'm grateful to work.

In an ideal world, I would love to choose everything I'm in and have the most choice in every situation, but it's just not my reality. But yeah, I think being on this show has felt very supportive, and I felt lucky to be really close with my cast mates. I had so much fun playing that character, and we worked really hard.

TV: What was it like growing up in LA and being in Hollywood and not being a nepo baby?

RB: F*cking hilarious, dude. Because I've been acting since I was a child, but any job I got, I got because I worked for it—even when I was a kid. It's interesting. I'm from LA. I grew up in LA. I grew up all over the Valley because we always moved. So it was strange. I had a very different life. Once I started meeting other actresses who were so-and-so's daughter or... It's like, Oh, right. Okay.

It's also a different Los Angeles. My LA is very different, I think, than people who conceptualize LA as a rich, extravagant [place], which it is. It is extravagant and it is ridiculous and it is Hollywood, but it's also a lot of other things.

TV: What are those other things?

RB: To me, it's where I grew up. I hadn't been to Santa Monica until I was 16. I grew up in Van Nuys, Sherman Oaks, Valley Village, Valley Glen—all over the Valley—so it was just very different. To me, it's the Westfield Square Mall and my elementary school.

The Valley's weird. The Valley is a freaky place. I'm grateful to have grown up there. I think as an adult, though, it's funny now [that] my favorite place in LA is Hollywood Boulevard. I love walking down Hollywood Boulevard. It's f*cking amazing.

TV: Why?

RB: I'm amazed by all the stars on the floor, first of all. I love the people that come and want to spend all day on Hollywood Boulevard. I love going into the stores. When I'm on Hollywood Boulevard, I'm like, Oh, this is Hollywood. So much happened here.

TV: For a season two of The Testaments, what would you want to explore more of with Shu?

RB: I'm curious what will make her think that there is something bizarre going on, because I don't think she really does until towards the end. I think, for the most part, she really wants to get pregnant and be married. That's what she wants. So I wonder what will make her crack a little bit.

TV: It seems a lot of the characters struggle with questions of, “Are people moving on without me? Are they leaving me behind?” How have you reconciled all of that in your own life, whether you have friends who it feels like are leaving you behind or you're the one leaving other people behind?

RB: It's really a sad part of being a teenager when your friend group starts moving about. I think I see it now, with not being a teenager, as people really just become themselves, in their 20s, especially.

I feel lucky, though. I've had a lot of the same friends for a really long time, which has felt very grounding and important for me. But I think the show does a good job of showing that weird feeling of, Where are you going? How am I going to stay connected to you? Because the girls are so close, they're all they have.

TV: Right. What is it like to play a teenager now when at the time you were actually a teenager, you were kind of a quintessential teen voice? You were such a big part of that era of Teen Vogue from, like, 2016-2018. What do you think about the person you were then, now that you're playing a teenager on screen again?

RB: I think that I'm grateful I got to learn a lot from other people online. I'm grateful that I got to learn about my voice and what I believe, but I think that I am also just grateful now to have the grace for that all to change whenever I want it to.

TV: Is it weird to do interviews in which people ask about your past?

RB: No. I think I have a healthy relationship to it now. For a while it was just, I was developing a lot of feelings around... I can see now as someone who, in my life, really expresses how and what I believe in my actual actions and my interpersonal relationships. I can see that when I was a teenager and discovering about this stuff, I was just given a mic, which I don't have the most positive feelings about.

TV: Fair enough.

RB: But I also think that was a moment in time in the internet when that was happening to way more people than just me. There was this moment of, maybe the youth will have the answer, but it's like, well, they don't have the answers just because they're kids.

But it was an interesting [time]. I think I have a better relationship to it now. I'm able to see [that] I had a unique circumstance where I was just like any other person on Tumblr realizing themselves, but I was known, so it was getting attention. I'm grateful that I can constantly have a new relationship to it.

TV: Do you feel like there's anything people get wrong about you?

RB: I don't know. I don't really know what people's perception of me is, I guess. I try to stay out of it. I think when you've had eyes on you in the way that I have since I was a teenager, I just don't have the same relationship. People can think whatever they want to think. It has nothing to do with me.