10 Best Fashion Month Moments from Fall 2025, According to Teen Vogue Editors
The Fall-Winter 2025 Fashion Month is official over. Fashion week can always feel endless. From running around the busy streets of New York City, hopping over the pond to London, and then jet-setting to Milan and Paris, it's a month that flies by. After several weeks of non-stop movement for fashion editors, stylists, designers, influencers, and lovers alike, we can finally take a moment to sit back with all the clothes we saw walk down the runway and relish in what our favorite moments actually were. Between Alex Consani having a monumental month to the slew of creative director moves between luxury brands, we've seen a lot of big moments taking place.
Fashion month can constantly feel like a blur, with nothing truly standing out because of how much our eyes are taking in back-to-back. But its important to digest the art we've seen in person and online and decipher the trends and moments we believe are here to stay. New York Fashion Week started off on February 6th. And Paris rounded up the season on March 11th. We chatted with our Teen Vogue editors about everything that stuck out to them this fashion month. From favorite shows to favorite weeks, we've chosen the sartorial standouts that will be with us for more than just the 20-minutes they walked down the runway.
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Christopher John Rogers
CJR’s design ethos has always drawn me in. As a Black Southerner, his clothing inspiration constantly tugs on my heartstrings, especially during the winter months when I’m feeling extra homesick. His Fall 2025 ready-to-wear collection was an absolute win for me personally. He has such a knack for highlighting the elegance of structured femininity within fashion. He also does eclectic patterns and layering so well, it inspires me to explore color and pattern mixing in ways my mind sometimes cannot do on its own. The use of ruffled balloon sleeves, exaggerated peplums, and sweeping skirts is such an example of how well Rogers blends architectural complexity with opulence. What I love the most is with every collection I can envision the woman he’s designing for. She’s powerful, interesting, and whimsical — she’s memorable and I think the same goes for this collection. - Aiyana Ishmael, Associate Editor
- Taylor Hill2/10
Thom Browne
I have always been a Thom Browne fan from afar. But this collection was a very fun moment in time that I am still thinking about. As a Dystopian fiction lover, I am often thinking about fashion — and the imaginary novels-turned-films I’ve yet to write — that would so perfectly work in the blockbuster young adult movie of my dreams. This collection, upon seeing it, fit the bill immediately. From the structured blazers, pleated patterned skirts, and color blocking, the clothes felt fantastical but also very wearable. I also appreciated the beauty details that drew me deeper into my dystopian fantasy. Between the puckered lips and wispy eyelashes, the looks had me thinking about the collection beyond the day it showed. - Aiyana Ishmael, Associate Editor
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Max Mara
I've been attracted to maroon colors lately, especially if it's in a monochromatic pairing. The Max Mara show has always been a favorite of mine, and their fall 2025 collection didn't disappoint. It opened with maroon and then enveloped into other cozy brown, green, mustard and black knit sets. The thing about Ian Griffiths' work is that it is consistently chic and easy — especially for no-brainer adulting moments where you just want to look like Krystle Carrington. Oh! And our cover girl Alex Consani slayed too. - Danielle Kwateng, Executive Editor
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Prada
Miuccia and Raf's partnership has reached new heights in the last year. The Fall 2025 Prada collection is the perfect example of they way they are able to reference brand’s past while still feeling fresh and inspired – something so many other brands seem unable to execute. This season the designers wanted to present the Prada version of femininity: powerful, glamorous but not totally put together. It manifested perfectly to me in this one look, a yellow knit halter paired with a wide paper bag waist and messy hair. It’s the perfect representation of wearable but glossy. When I saw that look come down the runway I thought: To me, you are perfect. - Alyssa Hardy, Style Director
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Coach
The Coach runway proved there are layers to style, literally. The dusters layered over crop tops and skirts falling over pants offered a modern take on nostalgic trends we've grown to love again in recent years. The oversized suits and vests showed that even the looks we have grown up considering polished and uniform can be fun and unique. All of this was brought together and epitomized by the fun and playful accessories. Childlike but not childish, the stuffed bag charms and even the bunny slippers brought a much-needed dose of fun simplicity at fashion week, perfect for Coach's growing Gen Z fanbase. - Donya Momenian, Associate Fashion & Beauty Editor
- Courtesy of the brand.6/10
Givenchy
As a longtime Alexander McQueen fan, I, alongside every single person that has ever touched a fashion book, was eager to see what Sarah Burton would create for Givenchy outside of the bubble she shaped with and without Lee over almost three decades — and, alas, she did not disappoint. When she was appointed as the new creative director of Givenchy in late 2024, Burton said her aim was to bring her “own vision, sensibility and beliefs” to the +70-year-old maison. The fact that she would be doing that by revisiting the patterns of Hubert de Givenchy’s first collection for the brand in 1952, which were supposedly recently found hidden in the atelier’s walls, was a surprise to most of us, but it makes sense to go back to the roots when you want to grow something new. Despite returning to day one, none of this collection felt stuck in the ’50s. Burton’s Givenchy debut excelled in its exquisite British tailoring, with coats, suits, and pants — sometimes reversed — as the clear standouts. A less ghoulish version of her work at McQueen, not every look was a hit, but many of them were, which left people wanting to see even more — and giving us something to look forward to again in an age when everything feels so immediate is also a nice change of pace, especially in a hot seat like Givenchy. - Sara Delgado, Editor-at-large
- Courtesy of the brand.7/10
Zoe Gustavia Anna Whalen
Silver armor obscuring the face and a floor-length bodice, paired with a long sleeve knit tied at the waist with forks: It is this odd mishmash of old and new that makes Whalen’s recent collection so memorable (and exciting) to me. Titled “i’m in love with everything and i know nothing at all,” it so openly embraces oozing melodrama, contradiction, and a bit of hope.
New York-based designer Whalen cites feelings of overwhelm and heaviness as the collection's inspiration, shown through tattered clothes and drapery in various states of decay. From Victorian corsetry all the way back to medieval armor and silver ware of Antiquity, the collection pulls influence from bygone years but manages to exist outside of time — somewhere between old linens and baggy jeans, kitchen utensil-clad knights and Dracularian types.
Personal highlights from the collection include the opening look’s assemblage of salvaged plates atop tattered pants, as well as look 13’s spindly hoop skirt made of twigs and lace. I love the more modern simplicity too of look 14, an all-knit grey number with a plated headpiece. While some of these clothes may not be the most wearable, their craftsmanship and invention more than make up for it. - Skyli Alvarez, Editorial Assistant
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Season of debuts
I’ve been loving this season of debuts! I sighed big exhales of relief followed by the widest of smiles when Julian Klausner’s Dries, Haider’s Tom Ford, and Sarah Burton’s Givenchy debuts landed- though those were not surprises! But you never know, especially with brands we all hold so near and dear. But my favorite, not even show as she has yet to hold one in favor of more intimate presentations, might have to be Colleen Allen. Everyone around me might be tired of my singing her praises, but I can’t help it! The colors, the fabrications, the silhouettes- sublime. This collection has already had some incredible placements- Ayo! GAGA! And there’s something really exciting about a New York designer that’s getting all the buzz and living up to the hype. - Sam Gasmer, Associate Fashion Editor
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London Fashion Week
London Fashion Week always stands out as one of my favorites among the fashion cities. There's a rebellious creativity and boundary pushing energy that makes it unlike any other city. The city's designers continually challenge conventions through innovation and fearlessness in ways that are so inspiring. Some of my personal standouts included Jawara Alleyne whose deconstructed silhouettes embodied a spirit of defiance, SRVC, as brand whose collection redefined modern tailoring with an effortless edge, George Trochopoulos, a rising tablet known for his cool, futuristic knitwear, and an honorable mention, Burberry whose collection reinvented heritage British style and made it cool again. - Tchesmeni Leonard, Senior Fashion Editor
- Courtesy of brand.10/10
Diotima
If there was one look that I did not stop thinking about this season, it was a dress from Diotima’s Fall 2025 collection. Shown at the brand’s presentation in downtown Manhattan, the look was a black sheer dress with teardrop crystal appliques. Before even reading the show notes you could feel the ode to matriarchy and the beautiful clothes that have adorned women for centuries. “I promise to honor the legacies of these matriarchs as best I can,” designer Rachel Scott writes. And frankly, that’s all I can ever ask for in fashion: beauty and reverence. - Alyssa Hardy, Style Director









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